Community Projects and Restitutions
Donald Ellis Gallery is featured in the first issue of Convergence Magazine for giving back through community-oriented projects and restitutions in the Pacific Northwest
ca. 1880
wood, paint, mirror
height: 23 ¼"
Inventory # CN2298
Sold
donated to the U’mista Cultural Centre, Alert Bay, BC
Seized by Indian Agent Haliday at the Cranmer Potlatch, Village Island, BC on December 25, 1921
Sold to George Gustav Heye by Halliday's wife in 1922
Deaccessioned by The Museum of the American Indian, George Gustav Heye Center, New York in the 1940's
likely Julius Carlebach, New York
Claude Lévi-Strauss, New York and Paris
Sold at the Lévi-Strauss auction, Hotel Drouot, Paris, July 21, 1951, lot 25
Pierre Véritè, Paris
by descent to his son, Claude Vérité, Paris
Almost one hundred years ago, Chief Cranmer of the Kwakwakaʼwakw Nation of Alert Bay hosted the largest potlatch recorded in the history of British Columbia in defiance of the Indian Act. The potlatch was the primary occasion for negotiating rank, rights, kinship, privileges, and inheritances. From 1885 to 1951 the Canadian government banned the celebration of these great gift-giving feasts, part of a wider effort to assimilate the Indigenous population through the forceful repression of language and cultural practices codified by law.
In perhaps the most infamous instance of colonial expropriation in Canada, the federal government arrested approximately 45 participants, seized and sold around 750 items from the Cranmer Potlach to museums around the globe. First acquired by the Museum of the American Indian in New York, this Sun Mask later found its way to France, where it remained in the collection of the renowned anthropologist Claude Lévi-Strauss.
Although the Indian Act was partially reformed in 1951, a number of seized works remain in museums and private collections. In 2017, the leading academic Marie Mauzé identified the Sun Mask taken from the Cranmer Potlatch while cataloguing a group of Northwest Coast works of art at Christie’s in Paris. Following several years of negotiation, Donald Ellis facilitated the return of this extraordinary Sun Mask from the Cranmer Potlatch to U'mista Cultural Centre, a First Nations museum in Alert Bay, in 2019. U’mista, which means ‘the return of something important,’ was established 40 years ago to house repatriated potlatch objects. It is now an important educational centre whose mission is to preserve Kwakwakaʼwakw cultural heritage.
Donald Ellis Gallery is featured in the first issue of Convergence Magazine for giving back through community-oriented projects and restitutions in the Pacific Northwest
Marsha Lederman of the Globe and Mail reports that a rare Sun Mask seized from the Kwakwakaʼwakw First Nations is headed to the U’mista Cultural Centre in Alert Bay, BC